Just as in the director’s first film, 1988’s ’The Seventh Continent’, suicide hangs heavily over ‘Happy End’. Austrian filmmaker Michael Haneke's last film was 2012’s ‘Amour’, a harrowing yet moving story of old age underscored by love. Haneke es un maestrazo y Juni 2017. (Michael Haneke, France/Austria/Germany, Sony Pictures Classics, Opened December 22), The horrors of slavery in America return in Antebellum, an audacious thriller that revives thorny questions of how to portray the past, Susan Sontag, Sweden, 1969; Kino Lorber, DVD & Blu-Ray, More than words: the subtitler of Godard, Assayas, and others talks about the process in this accompaniment to our May-June 2020 Art and Craft article. Happy hunting. Michael Haneke bierze pod lupę najgłębiej skrywane emocje i to, jak Internet, którego używamy do komunikacji ze światem, niepostrzeżenie zmienia nasze życie intymne i relacje z najbliższymi. Happy End on vuonna 2017 ensi-iltansa saanut Michael Haneken ohjaama ja käsikirjoittama ranskalais-saksalais-itävaltalainen draamaelokuva, jonka pääosia näyttelevät Isabelle Huppert, Jean-Louis Trintignant, Mathieu Kassovitz, Fantine … It’s a more diffuse film, and a more despairing one, although there are flashes of gallows humour to lighten the pileup of downers. Try another. Austrian filmmaker Michael Haneke's last film was 2012’s ‘Amour’, a harrowing yet moving story of old age underscored by love. A well-to-do French family deals with a series of setbacks and crises. Una narrativa en capas que distrae de pronto asemejando a un ejercicio de improvisación. Happy End - Un film di Michael Haneke. And being as the winners were his last two, The White Ribbon and Amour, to say he comes into the 2017 Cannes competition with form is an understatement. A potent director’s inevitable self-pastiche, Happy End suffers from the absence of Haneke’s usual quest for humanity within perversion. Rooted in the filmmaker’s interest in capitalism and colonialism, Happy End offers an indictment of Western hypocrisy on refugees through the story of a self-absorbed industrialist French family in the immigrant hub of Calais. Alors qu'Arte diffuse ce soir Le ruban blanc dans le cadre de sa programmation Festival de Cannes, retour sur les films incontournables de Michael Haneke, l'homme aux deux Palme d'Or. Die Premiere des unter der Regie von Michael Haneke entstandenen Spielfilms erfolgte am 22. Con Isabelle Huppert, Mathieu Kassovitz, Jean-Louis Trintignant, Fantine Harduin, Dominique Besnehard. 670 likes. Internationalen Filmfestspiele von Cannes, wo der Film in den Wettbewerb um die Goldene Palme eingeladen wurde. Les quelques commentaires de l’observateur qui s’inscrivent simultanément au b… Michael Haneke prescindiendo de música en sus filmes, me atemoriza. Just as … Así podría resumirse "Happy End", una película que funciona como compendio de toda la filmografía de Michael Haneke y al mismo tiempo como una autoparodia de su estilo. The couple has a new baby, and Thomas is also father to 13-year-old Eve (Fantine Harduin), who comes to stay after her mum attempts suicide. Oktober 2017 un… Haneke can be challenging for some, but I thought this was on the mark and kept me engaged from beginning to end. But there’s nothing familial about them. Time Out is a registered trademark of Time Out Digital Limited. Happy End marque la 4ème collaboration d'Isabelle Huppert avec Michael Haneke après La Pianiste en 2000, Le Temps du loup en 2002 et Amour en … In Benny’s Video (1992) vermoordt de emotieloze tiener Benny een vriendinnetje met een slachtpistool, wat hij … With Isabelle Huppert, Jean-Louis Trintignant, Mathieu Kassovitz, Fantine Harduin. I agree with the reviews that this film makes you think until after its conclusion. Rather it has a series of more isolated queries and conundrums. ‘Happy End’ talks back to almost all of 75-year-old Haneke’s previous films, so much so that it feels like a career epilogue. Haneke präsentiert ein Kabinett der toten Seelen, … in the January-February 2018 Issue. Yonca Talu Funny Games (1997) Dès le début du film, le décor est posé. Soudain, une lucarne étroite découpe l’écran et délimite le cadre, lui-même redoublé par l’embrasure d’une porte : en basse lumière, filmée au moyen d’un smartphone, une femme, dans le fond du champ, s’affaire dans une salle de bains. As topical as it is, Haneke’s latest exercise in cynicism and violence unfolds in a string of clichés about bourgeois dysfunction and malaise, littered with contrived characters whose privileged status only partially explains their lack of dramatic depth. Vidéo Cinérama : “Blade Runner 2049” et “Happy End” Festival de Cannes 2017 Cannes 2017 : regardez un extrait de “Happy End”, de Michael Haneke, en compétition Voir plus Le générique d’ouverture s’affiche en petits caractères blancs sur fond noir. Anne’s brother, Thomas (Mathieu Kassovitz), is an emotionally-stunted doctor, married to his second wife, Anaïs (Laura Verlinden), but seeking dirty thrills online. In what has to be considered a minor upset by Cannes standards, Happy End was the first Michael Haneke joint to leave the festival without a major prize since 2003’s Time of the Wolf (unofficially ruled ineligible since jury president Patrice Chéreau appeared in a cameo). “Happy End” has a linear structure, but Mr. Haneke presents his scenes with little or no connective tissue. Isabelle Huppert, Michael Haneke and Jean-Louis Trintignant at the ‘Happy End’ photocall, 2017 Cannes Film Festival David Fisher/REX/Shutterstock That mirror may be too close for comfort. Michael Haneke se livre à une critique implacable de la bourgeoisie, de son manque d’amour et de communication, et de son aveuglement. A key prop, Eve’s iPhone revives the voyeuristic digital aesthetics of Benny’s Video (1992), but with far less visceral effect. A typically existential film for Haneke, it unfurls so meticulously that there’s little sign of that eponymous ‘Happy End’ ever arriving. “Michael Haneke is back to many of his old tricks in Happy End, which enfolds the child psychopathy of Benny’s Video, the bourgeois nightmare of Hidden, the euthanasia theme of Amour, and the racial discomfort of Code Unknown into a curious, disconcerting and sometimes insidiously effective greatest hits tableau,” announces the Telegraph’s Tim Robey.“Happy End … This spectacle of decadence is quietly observed by the household’s youngest member, 12-year-old Eve (Fantine Harduin), a typically Hanekean combination of innocence and sociopathy for whom death holds a morbid fascination. Haneke sempre più pessimista in un film asciutto e 'duro' come la tesi che lo sottende. We already have this email. Interview met de Oostenrijkse regisseur Michael Haneke over zijn nieuwste film Happy End, een portret van een getroebleerde familie in Calais. 'Amour' director Michael Haneke and Isabelle Huppert reteam for a drama about a middle-class French family with an emotional sickness at its heart. And the happy end? By: Haneke's "Happy End" Opens in Indy on 2/23 To some, it is inevitable that Michael Haneke's latest film Happy End will be a disappointment. (Michael Haneke, France/Austria/Germany, Sony Pictures Classics, Opened December 22) By Yonca Talu in the January-February 2018 Issue After the poignant tenderness of The White Ribbon (2009) and Amour (2012), Austria-based master of cruelty Michael Haneke teams back up with the Devil in Happy End , his eagerly awaited but coldly received take on modern … Happy End: The secret kindness of Michael Haneke The Austrian director is responsible for some of cinema’s cruellest cuts.Michael Haneke is the most jovial director I’ve met. Happy End is far from Haneke's best work, yet it still succeeds in forcing audiences to confront -- and uncomfortably consider -- the dark side of human nature. His latest, ‘Happy End’ (don’t believe that title for a second), feels like a kick in the teeth of the earlier film, as though someone had accused European cinema’s high-minded provocateur of going soft and his response has been to reprise the suffering of ‘Amour’ but cancel the warmth completely. Drammatico, Francia, 2017. Directed by Michael Haneke. Los acólicos del director encontrarán referencias a "Amour", al peso de la tecnología que veíamos en "Caché (Escondido)" y a los parentescos rotos, crudelísimos incluso, que se colaban en … Look out for your first newsletter in your inbox soon! Happy End ausculte les secrets, les mensonges et les névroses de trois générations en pleine décadence. In Deutschland erfolgte die Premiere am Filmfest Münchenam 25. Happy End - Michael Haneke, Salvador. Happy End (2017) - Seria nieszczęść wiedzie zamożną rodzinę z Calais ku upadkowi. After the poignant tenderness of The White Ribbon (2009) and Amour (2012), Austria-based master of cruelty Michael Haneke teams back up with the Devil in Happy End, his eagerly awaited but coldly received take on modern technology and the European migrant crisis. Fan page about Happy End, the next Michael Haneke film. All rights reserved. Haneke reminds us, too, that just down the road from the Laurents is the Calais migrant camp: if we’re to read anything into the Laurents’s diseased privilege, we should assume Haneke is talking about much more than just one family. © 2021 Time Out England Limited and affiliated companies owned by Time Out Group Plc. There are hints that this is a companion piece to ‘Amour’, partly in a plot point that mirrors exactly an event in the earlier film, but also the casting of Trintignant and Huppert as father and daughter, and again giving Huppert’s character a British partner, here a London financier played by Toby Jones. With Isabelle Huppert, Toby Jones,Mathieu Kassovitz and Jean-Louis Trintignant . Read … Michael Haneke (German: [ˈhaːnəkə]; born 23 March 1942) is an Austrian film director and screenwriter. Michael Haneke’s Pitiless World: As ‘Happy End’ Debuts at Cannes, Reconsider ‘Caché’ With "Happy End," starring Isabelle Huppert, … And admirers will see echoes everywhere: a tracking shot similar to one in ‘Code Unknown’; film-within-the-film surveillance cameras and home videos as in ‘Hidden’ and ‘Benny’s Video’; even a creepy young man with dark shadows under his eyes who looks like he’s stepped out of ‘Funny Games’. Happy End trata de mucho más de lo que a simple vista pareciera. Bleak in atmosphere and teasing in its jigsaw construction of ensemble moments, ‘Happy End’ is a snapshot of roughly a year in the life of a Calais family. His daughter, Anne (Isabelle Huppert), runs the family business day-to-day and has a grown-up son, Pierre (Franz Rogowski), who has a drink problem and a chip on his shoulder about the family’s wealth. Instead, it taps into our strange fascination with observing people on the verge of intimate disaster, asking us who we should be siding with when times get tough. Dans Funny Games, deux adolescents séquestrent et torturent sans vergogne une famille riche.. Présenté au Festival de Cannes, Michael Haneke … This is a state-of-modern-Europe morality play. Michael Haneke, director of new Calais refugee satire Happy End. But that doesn’t mean the film is boring. The subdued narrative charts the wealthy Laurents’ professional and moral downfall following a near-fatal accident on their premises against the backdrop of the impoverished migrant community, whose ghostly presence throughout metaphorically conveys the protagonists’ apathy and social disconnectedness. At the head of the household is ailing Georges (Jean-Louis Trintignant), who doesn't have a friendly word to say to anyone and is consumed with anger and regret. Sunday May 21 2017. [1] Haneke has made films in French, German, and English and has worked in television‚ theatre, and cinema. By Der Kinostart erfolgte in Österreich am 6. Photograph: Alamy Stock Photo T here are a number of reasons to be nervous about interviewing Michael Haneke. Instead of conventional transitions, there are … Happy End ist eine französisch-deutsch-österreichische Koproduktion aus dem Jahr 2017. With the possible exceptions of Lars von Trier and the Dardennes, with whom he forms a sort of holy – … His work often examines social issues and depicts the feelings of estrangement experienced by individuals in modern society. Kurzum, in Happy End schmeckt man das Gift des Unglücks und der bürgerlichen Kälte. Dave Calhoun, Posted: Thanks for subscribing! The Laurents run a major construction firm and live in old-money style with servants. They share the same DNA but mask their depressions, schemes and perversions from each other. By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions. There is a sense of dread in this film, which I like. ‘Happy End’ is a much more meandering, less contained film though, and it doesn’t have a central, gripping mystery like ‘Hidden’ and ‘The White Ribbon’. Z jednej strony „Happy End” to zbiór ikonicznych motywów pojawiających się w filmach Hanekego (międzypokoleniowy konflikt, dysfunkcyjna rodzina, przemoc, władza technologii). There are a handful of filmmakers who can make a Cannes lineup feel major, simply by their presence, and Michael Haneke, only the second director ever to have won his two Palmes d’Or for consecutive films, is one of them. Déjà vu! Mai 2017 im Rahmen der 70.
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